Renaissance music (1400 -1600)
Renaissance means Re-Birth.
The Renaissance era of classical music saw the growth of polyphonic music, the rise of new instruments, and a burst of new ideas regarding harmony, rhythm, and music notation.
When Was the Renaissance Period of Music?The Renaissance period of classical music spans approximately 1400 to 1600. It was preceded by the Medieval period and followed by the Baroque period. The Renaissance era of music history came significantly later than the era of Renaissance art, which arguably peaked during the fourteenth and fifteenth centuries, yet the Renaissance music era proved to be equally robust.
The beginning of the Renaissance in music is not as clearly marked as the beginning of the Renaissance in the other arts, and unlike in the other arts, it did not begin in Italy, but in northern Europe, specifically in the area currently comprising central and northern France, the Netherlands, and Belgium. The style of the Burgundian composers, as the first generation of the Franco-Flemish school is known, was at first a reaction against the excessive complexity and mannered style of the late 14th century as subtilior, and contained clear, singable melody and balanced polyphony in all voices. The most famous composers of the Burgundian school in the mid-15th century are Guillaume Dufay, Gilles Binchois, and Antoine Busnois.
By the middle of the 15th century, composers and singers from the Low Countries and adjacent areas began to spread across Europe, especially into Italy, where they were employed by the papal chapel and the aristocratic patrons of the arts (such as the Medici, the Este, and the Sforza families).
They carried their style with them: smooth polyphony which could be adapted for sacred or secular use as appropriate.In this time there is more use of Counterpoint which is a (polyphonic composition) in which two or more melodies repeat each other at different points in the music.
Principal forms of Sacred musical composition at the time were the mass, the motet, and the laude;
The Motet form of music was a sacred, polyphonic vocal composition, usually unaccompanied.
Secular forms included the chanson, the frottola, and later the madrigal.
The Madrigal, a secular, polyphonic song based on poems, often about love.
In This time there is use of homophony which is musical texture in which one voice has the melody, while the other parts serve as accompaniment.
It can be assumed that the word "homophony" is the development of what musical term that we know today as harmony.
An important development for music in this time period was the Printing Press by Johannes Gutenberg. The printing press is around 1436, although he was far from the first to automate the book-printing process. Woodblock printing in China dates back to the 9th century and Korean bookmakers were printing with moveable metal type a century before Gutenberg.
The invention of printing had an immense influence on the dissemination of musical styles, and along with the movement of the Franco-Flemish musicians, contributed to the establishment of the first truly international style in European music since the unification of Gregorian chant under Charlemagne.
Composers of the middle generation of the Franco-Flemish school included Johannes Ockeghem, who wrote music in a contrapuntally complex style, with varied texture and an elaborate use of canonical devices; Jacob Obrecht, one of the most famous composers of masses in the last decades of the 15th century; and Josquin des Prez, probably the most famous composer in Europe before Palestrina, and who during the 16th century was renowned as one of the greatest artists in any form. Music in the generation after Josquin explored increasing complexity of counterpoint; possibly the most extreme expression is in the music of Nicolas Gombert, whose contrapuntal complexities influenced early instrumental music, such as the canzona and the ricercar, ultimately culminating in Baroque fugal forms.
By the middle of the 16th century, the international style began to break down, and several highly diverse stylistic trends became evident: a trend towards simplicity in sacred music, as directed by the Counter-Reformation Council of Trent, exemplified in the music of
Giovanni Pierluigi da Palestrina; a trend towards complexity and chromaticism in the madrigal, which reached its extreme expression in the avant-garde style of the Ferrara School of Luzzaschi and the late century madrigalist Carlo Gesualdo; and the grandiose, sonorous music of the Venetian school, which used the architecture of the Basilica San Marco di Venezia to create antiphonal contrasts. The music of the Venetian school included the development of orchestration, ornamented instrumental parts, and continuo bass parts, all of which occurred within a span of several decades around 1600. Famous composers in Venice included the Gabrielis, Andrea and Giovanni, as well as Claudio Monteverdi, one of the most significant innovators at the end of the era.
Giovanni Palestrina was the master of music at the Vatican and was one of the greatest composers of Catholic liturgical music of his time.
Claudio Monteverdi was one of the great contributors to opera and was one of the first to compose them. He bridged the gap from the Renaissance Period to the Baroque Period.
Most parts of Europe had active and well-differentiated musical traditions by late in the century. In England, composers such as Thomas Tallis and William Byrd wrote sacred music in a style similar to that written on the continent, while an active group of home-grown madrigalists adapted the Italian form for English tastes: famous composers included Thomas Morley, John Wilbye and Thomas Weelkes. Spain developed instrumental and vocal styles of its own, with Tomás Luis de Victoria writing refined music similar to that of Palestrina, and numerous other composers writing for the new guitar. Germany cultivated polyphonic forms built on the Protestant chorales, which replaced the Roman Catholic Gregorian Chant as a basis for sacred music, and imported the style of the Venetian school (the appearance of which defined the start of the Baroque era there). In addition, German composers wrote enormous amounts of organ music, establishing the basis for the later Baroque organ style which culminated in the work of J.S. Bach. France developed a unique style of musical diction known as musique mesurée, used in secular chansons, with composers such as Guillaume Costeley and Claude Le Jeune prominent in the movement.
A consort is a group of instruments playing together.
One of the most revolutionary movements in the era took place in Florence in the 1570s and 1580s, with the work of the Florentine Camerata, who ironically had a reactionary intent: dissatisfied with what they saw as contemporary musical depravities, their goal was to restore the music of the ancient Greeks. Chief among them were Vincenzo Galilei, the father of the astronomer, and Giulio Caccini. The fruits of their labors was a declamatory melodic singing style known as monody, and a corresponding staged dramatic form: a form known today as opera. The first operas, written around 1600, also define the end of the Renaissance and the beginning of the Baroque eras.
The sackbut is the predecessor known today as the Trombone instrument from the brass family that we have today.
Music prior to 1600 was modal rather than tonal. Several theoretical developments late in the 16th century, such as the writings on scales on modes by Gioseffo Zarlino and Franchinus Gaffurius, led directly to the development of common practice tonality. The major and minor scales began to predominate over the old church modes, a feature which was at first most obvious at cadential points in compositions, but gradually became pervasive. Music after 1600, beginning with the tonal music of the Baroque era, is often referred to as belonging to the common practice period.
The Lute is predecessor of the acoustic Guitar and is most important instrument used for SECULAR music during the Renaissance.
Instruments of the Renaissance Period are;
Learn more with this video.
Renaissance means Re-Birth.
The Renaissance era of classical music saw the growth of polyphonic music, the rise of new instruments, and a burst of new ideas regarding harmony, rhythm, and music notation.
When Was the Renaissance Period of Music?The Renaissance period of classical music spans approximately 1400 to 1600. It was preceded by the Medieval period and followed by the Baroque period. The Renaissance era of music history came significantly later than the era of Renaissance art, which arguably peaked during the fourteenth and fifteenth centuries, yet the Renaissance music era proved to be equally robust.
The beginning of the Renaissance in music is not as clearly marked as the beginning of the Renaissance in the other arts, and unlike in the other arts, it did not begin in Italy, but in northern Europe, specifically in the area currently comprising central and northern France, the Netherlands, and Belgium. The style of the Burgundian composers, as the first generation of the Franco-Flemish school is known, was at first a reaction against the excessive complexity and mannered style of the late 14th century as subtilior, and contained clear, singable melody and balanced polyphony in all voices. The most famous composers of the Burgundian school in the mid-15th century are Guillaume Dufay, Gilles Binchois, and Antoine Busnois.
By the middle of the 15th century, composers and singers from the Low Countries and adjacent areas began to spread across Europe, especially into Italy, where they were employed by the papal chapel and the aristocratic patrons of the arts (such as the Medici, the Este, and the Sforza families).
They carried their style with them: smooth polyphony which could be adapted for sacred or secular use as appropriate.In this time there is more use of Counterpoint which is a (polyphonic composition) in which two or more melodies repeat each other at different points in the music.
Principal forms of Sacred musical composition at the time were the mass, the motet, and the laude;
The Motet form of music was a sacred, polyphonic vocal composition, usually unaccompanied.
Secular forms included the chanson, the frottola, and later the madrigal.
The Madrigal, a secular, polyphonic song based on poems, often about love.
In This time there is use of homophony which is musical texture in which one voice has the melody, while the other parts serve as accompaniment.
It can be assumed that the word "homophony" is the development of what musical term that we know today as harmony.
An important development for music in this time period was the Printing Press by Johannes Gutenberg. The printing press is around 1436, although he was far from the first to automate the book-printing process. Woodblock printing in China dates back to the 9th century and Korean bookmakers were printing with moveable metal type a century before Gutenberg.
The invention of printing had an immense influence on the dissemination of musical styles, and along with the movement of the Franco-Flemish musicians, contributed to the establishment of the first truly international style in European music since the unification of Gregorian chant under Charlemagne.
Composers of the middle generation of the Franco-Flemish school included Johannes Ockeghem, who wrote music in a contrapuntally complex style, with varied texture and an elaborate use of canonical devices; Jacob Obrecht, one of the most famous composers of masses in the last decades of the 15th century; and Josquin des Prez, probably the most famous composer in Europe before Palestrina, and who during the 16th century was renowned as one of the greatest artists in any form. Music in the generation after Josquin explored increasing complexity of counterpoint; possibly the most extreme expression is in the music of Nicolas Gombert, whose contrapuntal complexities influenced early instrumental music, such as the canzona and the ricercar, ultimately culminating in Baroque fugal forms.
By the middle of the 16th century, the international style began to break down, and several highly diverse stylistic trends became evident: a trend towards simplicity in sacred music, as directed by the Counter-Reformation Council of Trent, exemplified in the music of
Giovanni Pierluigi da Palestrina; a trend towards complexity and chromaticism in the madrigal, which reached its extreme expression in the avant-garde style of the Ferrara School of Luzzaschi and the late century madrigalist Carlo Gesualdo; and the grandiose, sonorous music of the Venetian school, which used the architecture of the Basilica San Marco di Venezia to create antiphonal contrasts. The music of the Venetian school included the development of orchestration, ornamented instrumental parts, and continuo bass parts, all of which occurred within a span of several decades around 1600. Famous composers in Venice included the Gabrielis, Andrea and Giovanni, as well as Claudio Monteverdi, one of the most significant innovators at the end of the era.
Giovanni Palestrina was the master of music at the Vatican and was one of the greatest composers of Catholic liturgical music of his time.
Claudio Monteverdi was one of the great contributors to opera and was one of the first to compose them. He bridged the gap from the Renaissance Period to the Baroque Period.
Most parts of Europe had active and well-differentiated musical traditions by late in the century. In England, composers such as Thomas Tallis and William Byrd wrote sacred music in a style similar to that written on the continent, while an active group of home-grown madrigalists adapted the Italian form for English tastes: famous composers included Thomas Morley, John Wilbye and Thomas Weelkes. Spain developed instrumental and vocal styles of its own, with Tomás Luis de Victoria writing refined music similar to that of Palestrina, and numerous other composers writing for the new guitar. Germany cultivated polyphonic forms built on the Protestant chorales, which replaced the Roman Catholic Gregorian Chant as a basis for sacred music, and imported the style of the Venetian school (the appearance of which defined the start of the Baroque era there). In addition, German composers wrote enormous amounts of organ music, establishing the basis for the later Baroque organ style which culminated in the work of J.S. Bach. France developed a unique style of musical diction known as musique mesurée, used in secular chansons, with composers such as Guillaume Costeley and Claude Le Jeune prominent in the movement.
A consort is a group of instruments playing together.
One of the most revolutionary movements in the era took place in Florence in the 1570s and 1580s, with the work of the Florentine Camerata, who ironically had a reactionary intent: dissatisfied with what they saw as contemporary musical depravities, their goal was to restore the music of the ancient Greeks. Chief among them were Vincenzo Galilei, the father of the astronomer, and Giulio Caccini. The fruits of their labors was a declamatory melodic singing style known as monody, and a corresponding staged dramatic form: a form known today as opera. The first operas, written around 1600, also define the end of the Renaissance and the beginning of the Baroque eras.
The sackbut is the predecessor known today as the Trombone instrument from the brass family that we have today.
Music prior to 1600 was modal rather than tonal. Several theoretical developments late in the 16th century, such as the writings on scales on modes by Gioseffo Zarlino and Franchinus Gaffurius, led directly to the development of common practice tonality. The major and minor scales began to predominate over the old church modes, a feature which was at first most obvious at cadential points in compositions, but gradually became pervasive. Music after 1600, beginning with the tonal music of the Baroque era, is often referred to as belonging to the common practice period.
The Lute is predecessor of the acoustic Guitar and is most important instrument used for SECULAR music during the Renaissance.
Instruments of the Renaissance Period are;
- Harpsichord
- Clavichord
- Viol
- Lute
- Rebec
- Lyre
- Guitar
- Recorder
- Cornet
- Trumpet
- Trombone (known at the time as sackbut)
- Tambourine
- Transverse flute
Learn more with this video.
Music Examples
|
|